It is most like the Gary Hurst Reissue fuzz in sound.
It is basically a modified Maestro Fuzztone/MKI.
It is gated, I'm assuming like the Hurst fuzz.
It has these two caps, the key part of what makes it great according to this guy. They are both big, brown, bug-looking, caps that have no markings. They are an input cap with a value of .01 that is supposed to produce some sort of treble boost and an output cap with a value of .2 that is supposed to give it the bass.
The trannies are Mullard OC81D's that need to be set up like this: 1st: 70-80 2nd: 90-100 3rd: 120
The pots are different, like one or two megs (sp?)
As you can probably tell from now, I have absolutely no clue when it comes to components. Anyone know what this is sort of like? He'll be out of town for a week starting saturday, but it would cool to get some pics of this and reverse engineer it utilizing the board's knowledge. Some of you are probably sick of me talking about this, but it is a fuzz circuit created by Roger Mayer for Jimmy Page, so I believe that some respect is needed. I mean, this could be Mk1.25
